Seeing Through Spaces: Tony Breuer's Universe of Paintings

Head's up, fans of the physical universe--from space-time, quantum physics, and relativity to the way our human brains work; from the physical properties and materials of making art to the world of human imagination that ties it all together. Dr. Anthony Breuer, aka Tony Breuer, has set out to break into the codes of the multi-dimensional universe by making two-dimensional canvases that show us there is more than meets the eye in the physical universe of our everyday lives.

Crack in the Earth, New Openings, mixed media, 48 x 72 inches

Breuer's paintings are made to engage viewers in Seeing Through Spaces in a practical manner--using artistic materials and practices and ordinary images such as horses, planes, magnolias as metaphors. His paintings offer new insight into connecting the world of art into some of the primary scientific discoveries of the 21st century. There is a lot to see and a lot to know in Breuer's paintings. The process of making the paintings is itself laborious and painstaking. These are physical canvases, filled with action and color and lots of swirls and dimensions. Yet, there is considerable lightness of being implied in the resulting paintings. The things of our world seem to stand still while the universe is in constant motion.

But that's just about the paintings. Before Tony ever touched a canvas, he had a life as a distinguished practicing physician. His specialty, neurology with an emphasis on research, led him to related scientific exploration, specifically into the seen and unseen laws of the universe. In the last one hundred years, our knowledge of the physical laws of the universe has grown exponentially. Current research in relativity and quantum physics tells us that the world is even more multi-faceted than ever before imagined.

Space Magnolia #6, oil on canvas, 24 x 30 inches

Remember that the word "imagination" is a word shared by scientists such as Einstein, Feynman, and Hawking, and artists such as Picasso, Dali, and new-to-the-scene Tony Breuer. As he pursued the study of the laws of nature through the prism of how the human brain works, adding the making of art was a natural evolution in his world.

Breuer's study of medicine began at Princeton, followed by research at Oxford, and he received his M.D. from Harvard Medical School. Some years later, he began to study art while maintaining a full schedule as a physician, completing his MFA in art in 2004. In recent years, he has begun a balancing act of reducing his medical schedule and increasing his artistic schedule in the studio. The exhibit, Seeing Through Spaces, is a showcase for his new series of paintings, intended to present the awe and beauty of the infinite physical laws of nature that exist among us in our lives, though unseen.

Virginia Falls, mixed media, 30 x 40 inches

Tony Breuer is a bona fide 21st-century emerging artist. The brain, the laws of nature, and the making of art--that's the world of Tony Breuer.

If you would like to meet Tony personally and get a preview tour of his work, join us at The Arts Company on Saturday, October 2, 4:30-6:00, in advance of the always-jubilant First Saturday Art Crawl Downtown, which follows 6-9 pm.

The Journey to "Inspired"

Commentary by Brian Downey, Associate Director of The Arts Comany and curator of the "Inspired" exhibit:

There is nothing I love more than curating shows. Researching talented artists, seeing the artwork as it's created, planning the layout of the show in the gallery, and watching it all come together for the opening reception is one of the most exciting things I have ever had the pleasure to do in my professional career. I have curated several shows, have worked with some amazing artists, and have had a blast the entire time. "Inspired," however, will always stand out to me and be one the shows I am most proud of.

It all started back in March of 2010 when I was visiting New York City with a friend of mine. We were walking down 5th Avenue in the heart of the city, admiring the stores, wishing I could afford to purchase the beautiful things I was seeing, and staring at all the gorgeous window displays. I was passing Bergdorf Goodman when I looked up and was instantly stopped in my tracks by their window display, not by the clothes, but by the large-scale woodblock prints that provided the backdrop for the fashion. I had no idea who the artist was, but it wasn't something I was not going to forget. When I was finally returned home to Nashville I immediately started researching to find out who this artist was. I learned that his name was John Welles Bartlett and he was living in Brooklyn. I found his website and sent him an email to introduce myself. After a few back and forths, I asked him if he would be part of a show I was curating in late summer. I expected an immediate "No thanks." I assumed that someone, who was getting this kind of exposure and attention in New York, would already be booked solid with other shows. To my surprise, he said "Yes!" Now I actually had a show to start planning!

"TV Donkey with Ant" by John Welles Bartlett

I wanted this exhibit to be a two-person show, and I already had an idea floating in the back of my mind about how to make this more than just an average exhibit of two artist's work. The trouble was finding that other artist who was just the right fit with John. I found a couple artists who I was very interested in, but unfortunately (or fortunately...as it turned out) they were either already booked for shows, or just didn't return my emails. Then I ran across Julianna Swaney, and I was so happy those other artists didn't work out. I found her work on My Love For You and was instantly a fan. I knew her small, intimate works would be a nice contrast, and yet completely complement John's large-scale woodblock prints. I emailed her, and her quick reply couldn't have been nicer. Even though she was already booked for three other shows in September, she still agreed to be a part of mine. I don't know how she found the time to create all the work for these four shows, but she did...and personally, I think I got the best ones!

"Hidden Birds" by Julianna Swaney

Once each artist was confirmed for the show, I ran my idea past them. I wanted to engage each artist and have them create something that would be special for this exhibit and very interesting to all the folks who would make it to the show. I asked each artist (who were total strangers at the time) how they would feel about studying the body of work of the other artist and creating one piece for the show that was inspired by the other. I didn't know what kind of reaction this would get, but I was hopeful. As it turned out, both artists loved the other's work and were very excited to take on this challenge. Personally, I think they were even more excited to see what the other artist would create knowing that they were the inspiration behind it. As the months went on, I would receive images from the artists of all the new pieces they were working on...but I still hadn't seen the inspired piece. I was starting to get worried. I had already sent out the press release, hyped the theme of the show, given interviews to some local publications--all based on the idea that each artist was creating this inspired piece, and the show was even called, "Inspired." What in the world would I do if one or both artists decided they just couldn't manage to do an inspired piece? I was nervous. Luckily, each artist was just saving the best for last and when I finally saw the inspired pieces I knew that the show was going to be amazing!

John's work

Julianna's work

The opening reception was this past Saturday. John was able to fly to Nashville for the show, but Julianna had a show opening in Portland, OR, where she currently lives and wasn't able to make it. Even though she couldn't be here, the evening was a huge success. After some great press, including a very nice spotlight in Nashville Arts Magazine, and a wonderful post by The Jealous Curator, hundreds came through the gallery that night. Some were there for the free wine, but the majority were actually there to see this special exhibit. I talked to so many people, answered so many questions, and loved every minute of it. By the end of the night we had sold a lot of artwork (according to Julianna, the most she has ever sold at an opening reception...EVER), and introduced two fantastic new artists to the gallery and to Nashville. I'll never forget the evening. I want to thank both of these great artists who I now consider great friends, the amazing people I work with at The Arts Company (Anne, Robin, and the whole gang), and my incredibly supportive friends and family who made the night memorable and special.

The show continues through September 25 at The Arts Company. Please stop by and take a look if you can, or see the pieces in the show on the gallery's website.

John, me, and the editorial staff of Nashville Arts Magazine

With two of my best friends, Candace and Beth

Our front window display...just as impressive as Bergdorf Goodman, in my opinion :)

The "Inspired" Pieces are Revealed!

Our current show, "Inspired" features the work of artists John Welles Bartlett (printmaker) and Julianna Swaney (illustrator). Each artist was asked to create one piece for the show that was inspired by the other. Having never met, and living on opposite sides of the United States, it was a fun and unique challenge for each artist to study the body of work of the other and create something, in their own style, inspired by them. Both inspired pieces were wrapped in black paper and were finally unveiled at the opening reception on Saturday, September 4. These pieces were a secret...until now.

Below are John and Julianna's inspired pieces and a brief description, in their own words, on how they were truly inspired by each other:

John's inspired piece, "TV Maiden with Birdhouse"

“When I began looking at Julianna’s work, I felt drawn into a time and place where life is entwined with folklore and spirits, and the secrets of nature. These are themes close to my heart and it was not hard to be inspired by her work. My piece “TV Maiden with Birdhouse” is related to the young girls who appear in a many of Julianna’s works, gingerly interacting with nature and the spirit world.” - John Welles Bartlett

Julianna's inspired piece, "Reception"

“What I initially found interesting in John’s work was the recurring image of the TV set. Especially the pieces where it is strapped to the back of a girl and a donkey, I often draw people or animals with things strapped to their back so I felt like that was a good place for me to start looking for inspiration. I have no idea what his intention for that symbol is but I interpret the TV image as a distraction that is always intruding, always constant, sort of in the background, though...so that you almost don't even realize you are being distracted. That is a familiar feeling I think to anyone around today who has the diversion of phone/email/texting/information with them constantly, you often don't even realize you are not paying attention to what is happening around you because your mind is constantly half on a screen. I incorporated the image of the TV on the back of a wolf, followed by a girl absorbed with it as she walks though the forest to symbolize that sort of distraction.” - Julianna Swaney