I have noticed of late that I am particularly attracted to artists who continue to reinvent themselves year after year, some of them decades of years, always with fresh insights. They are not just flittering around with art. Their lives are devoted to making art. Their vocabulary remains consistent, but they keep seeing new ways to present their visual ideas.
Brother Mel's "Alphabet" |
Cases in point: Brother Mel, of course; April Street; John Baeder; Denise Stewart-Sanabria; Leonard Piha; and Norman Lerner. Each of them in their own ways operate from a central compass, but are always making art about something new they are thinking. They are not artists who simply express themselves through artistic technique. They are artists at their core. They think visually.
Literally, they help the rest of us see. They make things so that we can know more. They respect new materials and new approaches as constantly offering them new ways to present their ideas visually to those of us who are receptive. We will be talking about each of these artist later in this year, but for now, this is Brother Mel’s month at The Arts Company.
Brother Mel "A Lifetime of Making Art" in book sconce |
Brother Mel Meyer, a
Marianist brother who lives in a Catholic community, has been making art large
and small for public, commercial, and private spaces around the world for over
50 years. What he has done all of
those years—the variety and substance of it—you can read in a book-length
monograph of his lifetime of making art.
What equals his productivity throughout all of his 50+ years
as an artist is matched by what he has been to accomplish in his 83rd
year. As he approaches his 84th
birthday, one can simply look at the highlights of his accomplishments just
within the past year to appreciate his contributions as an artist. At the end of the book, Brother Mel: A Lifetime of Making Art (Anne Brown, 2009, The Arts
Company Press, Nashville), Brother Mel pointed out that the art he had made to
that point was over, but that his expectation was that “the best is yet to
come.” Unwittingly, the best of
many things unknown to him at that time were yet to come—not just his prolific
output as an artist, but also the accolades in the form of high honors that
have come his way in less than one year, just since May 2011.
This small update serves as an addendum to the book-length
story of his life and work, designed to keep Brother Mel collectors and
admirers updated on the work and life of this one artist in the short one-year
span of his 83rd year.
To sum up Brother Mel's year:
- An honorary Ph.D. in fine art from St. Louis
University
- A new sculpture park
in downtown St. Louis devoted exclusively to his workBrother Mel in academic attire when St. Louis University conferred an honorary Ph.D. in fine art on him in May 2011. |
- Dozens
of special commissions from individuals and institutions
- A
museum retrospective: Providential
Journey: The Art of Brother Mel
now in progress
in the St. Louis University Museum of Art
- A
group of new sculptures completed and installed at the entrance to the St. Louis
Children’s Hospital.
- More
sculpture purchased for additional downtown St. Louis installations
- An
art heist in the middle of all of this that made him feel he had “arrived as an
artist,” since someone wanted to go to the trouble to steal one of his very large
sculptures
- And
now, in May and June, 2012, his 14th Annual Artistic Pilgrimage to Nashville,
his annual exhibition at The Arts Company in Nashville
With one note added to
all of this activity: He has
had seven stays in the hospital, with a couple of follow-up rehabilitation
residencies. Even in the hospital,
he kept thinking visually. Through
all of the rigors of his body giving him troubles, he has remained focused on
his artwork, which is his way of expressing his spiritual faith and his faith
in the value of his life’s work.
His work, you might say, continues to sustain him and lift him up.
This recent small icon was inspired by the ceiling tiles in one of his hospital stays in recent months. |
For Brother Mel, all
of the events, accolades, health challenges, and artistic production are all
providential. Things happen as a
result of what you do. In that
way, his faith is his unwobbling pivot, the center of his spiritual and
artistic commitment. His art is
what he makes to express that commitment and to connect his visual
ideas—whether trivial or intense—with the rest of us.
We welcome you to come sit
in Brother Mel’s Reading Chair that we commissioned for this exhibition. We might even roll you up and down 5th
Avenue of the Arts in it—in Brother Mel style.
A few of these very recent tissue paintings will be part of Brother Mel's Nashville exhibition. |
This exhibition offers
a quick survey of the highlights of Brother Mel’s 83rd year. And remind yourself of how neat it is
to have such an artist living and working among us, eager to keep bringing new
visual insights to us six days a week, 52 weeks of the year.
Brother Mel in his "Reading Chair" |
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